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Jonathan Janson is an American painter and independent art historian who has lived and worked for more than thirty years in Rome, Italy. He specializes in fine-realist interiors in the manner of Vermeer and contemporary urban landscapes. His life-long passion for Vermeer has brought him into daily contact with Dutch art historians and Vermeer specialists through his revolutionary website dedicated to the life, work and technique of Johannes Vermeer. Essential Vermeer now constitutes the most extensively researched website dedicated to a single painter containing hundreds of web pages, thousands of images, a complete interactive catalogue of the Delft Master’s oeuvre as well as scores of audio files of Dutch pronunciation and period music and even a Vermeer newsletter which keeps subscribers thoroughly updated on Vermeer-related exhibitions, publications and multi-media events. He is also the author and webmaster of Girl with a Pearl Earring: An In-depth Study which explores every facet of Vermeer’s masterwork and maintains a site of his own painting as well. He has recently published How to Paint Your Own Vermeer: Recapturing Materials and Methods of a Seventeenth-Century Master.

publications:

How to Paint Your Own Vermeer: Recapturing Materials and methods of a Seventeenth-Century Master
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http://www.lulu.com/content/388584

websites links:

Essential Vermeer

Girl with a Pearl Earring: An In-depth Study

Jonathan Janson: Oils and Watercolors

contact: jonathanjanson@tiscali.it

  United States

How to Paint Your Own Vermeer: Recapturing Materials and Methods of a Seventeenth-Century Master
Who would have not wanted to look over Johannes Vermeer's shoulder while he was painting? Which materials and techniques did he use to create his masterpieces? Is it possible to emulate those methods today? HOW TO PAINT YOUR OWN VERMEER is a straightforward, practical guide on how to reproduce Vermeer's painting procedures for today's practicing painter. In the first section, each passage of Vermeer's method is thoroughly explained and framed in its historical context so that the reader may not only grasp the correct materials and procedures but comprehend the rationale behind established artistic and technical concepts of Dutch 17th-century painting. Grounding, underpainting, working-up, glazing, mediums, palette, brushes and mediums are just a few of the topics explored. The second section contains valuable insights into the crucial stylistic components which make a Vermeer a Vermeer, such as color, composition and perspective.
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