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The publishing arm of Otoliths began as print editions of the e-zine Otoliths, but has since expanded to include books & chapbooks by authors associated with the journal. It brings out both text & visual poetry by some of the most exciting writers in the contemporary scene. For further information, contact the editor, Mark Young.
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Print: $8.25 Joel Chace's A Script cons our part: part Asbergian stutter, part zen enlightenment, words and white spaces carefully/randomly placed pace us through a spectrum of verbal light, asking if there is a difference between self and other, background and text. These experiments of space and the phrase and word range over nature, food, and communication, invoking Inca and Silliman both, “speaking that other language again...yield itself each sentence.” —Larissa Shmailo
I like what Joel Chace does with the topology of the line, the way he shows how far it can be stretched while still maintaining its integrity. And I like how in doing so he takes the plainest words—especially everyday nouns like work, linen, world, office, desk,
ceiling—and makes them oddly visible in the poem's raking light:
“words / tiny far
but clear” indeed. —Barry Schwabsky
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Print: $10.45 Charles Freeland employs narrative sequence as a mode of aspiring to innocence. Each of these deceptively direct prose pieces, "embracing that infinity," is replete with power to endure what finally endows the conscious mind with revelations disguised as moments. Freeland’s wry humor, charged observations, sonorous lines ("Eulalie stands thigh deep in the river"), remind us of our privilege "just to catch the echo of it, the way children sometimes catch crayfish on the end of a sharpened stick." One final word for Freeland: "Encore!" — Sheila E. Murphy
Freeland's collection takes us on a journey with unexpected directions and deviations. Full of satire and the understated, the poetry of Through the Funeral Mountains on a Burro is masterful. — William Allegrezza
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Print: $16.45 Quaternity asks the reader to trust in words—the word itself and not what it supposedly signifies. For the word itself can be a musical note and can suffice (more than suffice!) that certain combinations sing. The dictionary bows to Scott Glassman and Sheila Murphy's seductive diction: "No curve to infinity can mimic bells."—Eileen Tabios
These collaborative pages elaborate vocal colors and chord-changing arrangements of sensory elision: musics of meaning. Quaternity is "lubrication-lit," aglow with the sensual pleasure of its making. Glassman and Murphy court rapture "where frogleaps suture kismet vines."—Tom Beckett
In Quaternity, Glassman and Murphy cease to make the usual "third thing" of collaboration—art and meaning immanent in shared composition—the end. Let the third be words and process, this material book, or tent camping, and start the box step waltz of four: author, author, writing, lunge.—Catherine Daly
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Print: $13.50 A schooling in experimental cinema happening before our eyes. A screening. Frame upon frame, the seeing I making her way. In these remarkable poems, Anny Ballardini creates an important new space, a new kind of poem—note, notation, response, criticism, a philosophy of our lives as films responding to films, poems made from & making our new dwelling place. Made of quotation, of citation, of sight, of insight—always the moving site—a dance in many movements. And a fine, inviting, moving dance it is.—Hank Lazer
Anny is the unofficial poet laureate of UbuWeb; from Italy she has watched the 20th century avant-garde stream through her computer's screen and has taken copious notes on it. These notes—at once literary criticism, poetry, oblique autobiography and amazing eavesdrop—come to us as an idiosyncratic transcript of a cultural and personal archive. This is 21st century ekphrasis written to an art that flickers and sings and sometimes screams.—Susan M. Schultz
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Print: $9.00 "Originally, I thought that we exhaustively compiled the list, but now I found that there should be some added…" wrote Cindy Meston, co-author of “Why Humans Have Sex,” in the Archives of Sexual Behavior (Volume 36, Number 4, August 2007). Denise Duhamel and Sandy McIntosh have done just that in this delightful compendium that adds 237 more reasons. It's an exhaustive list, but it still doesn't exhaust all the possibilities. So be warned, you'll want to find some more.
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Print: $12.50 Ernesto Priego has written that "G & G was the comic book I was never able to draw." G & G was, indeed, a sort of comic book experience for its earliest readers when it appeared in installments on Never Neutral, Mr. Priego's blog. The poems can be conceptualized as a series of speech balloons and captions formulated as something akin to a dialectical house party in which the characters Gravity and Grace sing in a kind of cozy yet somewhat slippery counterpoint for their Author and ultimately to us all. These are—it must be said—sweet and wistful, notational, allegorical poems. Much is hinted at. Much is left for the reader to fill in. And that is as it should be, no?
—Tom Beckett
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Print: $12.50 "I admire this book and not just because I wish I wrote it. I admire it because I am glad I read it. Not only is it an enjoyable romp which extends modernism but, as great literature often effects in its readers who happen to be writers, it raises the bar for me in my own attempts to write the novel in a fresh way.
The effects of blogging on literature are obviously still being written. Mark Young's the allegrezza ficcione is undisputably one which will reflect how history, poetry, speculative fiction and magical realism were alchemized into something differently-modern through the existence of poetry blogland and the internet.
That’s right — you heard it here first: Mark Young’s the allegrezza ficcione is historic and will come to be considered a 21st century classic." — Eileen Tabios
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Print: $19.95 E-X-C-H-A-N-G-E-V-A-L-U-E-S: The Final XIV Interviews + One contains interviews with Ernesto Priego, Catherine Daly, Karri Kokko, Jill Jones, Javant Biarujia, Barry Schwabsky, Peter Ganick, Joseph Lease, Stephen Vincent, Alan Davies, Noah Eli Gordon, the late Mary Rising Higgins, Jessica Grim, & Tom Mandel, plus more than 100 pages of poetry from those interviewed, much of it new. The interviewers this time around are Tom Beckett, Bruce Holsapple & John Tritica, Thomas Fink, & Sheila E. Murphy.
The + One is the shoe on the other foot. Done especially for this final volume is an interview by Nicholas Manning with Tom Beckett, the creator & curator of this important resource for contemporary poetics.
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Print: $12.50 “To dance we need those three original muses: memory, voice, occasion ...” Martin Edmond begins his new book of prose meditations, The Evolution of Mirrors with an account of the evolution of the Muses, the daughters of Memory. As his own memory moves from Ohakune to Alexandria, Sydney to San Francisco, we are invited to look into a series of mirrors trained upon the past. “We remember in order to write but we write to forget,” he quotes himself. At times his lapidary prose echoes Borges, elsewhere he appears to be channelling Pessoa. Whatever he writes, though, he remains one of the true originals of our epoch, a stunningly inventive writer whose prose is as haunting as any poem, whose poetry is as circumstantial as Thucydides. As memory folds into memory, mirror into mirror, something starts to come into focus, some justification for our – perhaps quixotic – belief that “across all versions there is something incontrovertible, a substratum of truth.” —Jack Ross
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Print: $12.50 Not all vampirism transpires on a grassy hill deep in the Carpathians. We may all, in fact, be vampires: blood-crazed, hungry, equipped with sharp teeth for a life-and-death struggle. The struggle is for love, in all of its myriad manifestations: physical, emotional, spiritual. In When You Bit…, Adam Fieled has crafted what may be the first post-avant sonnet cycle. It concerns these themes; how we feed on each other, consume each others’ vital resources, prey upon weaknesses to get those first teeth-marks in. In these sonnets, we see a sensibility equal parts Barrett Watten and Sir Philip Sidney; the post-avant impulse towards openness meeting a Renaissance-like ideal of courtly love, phenomenological inquiry, and good old-fashioned heartache. The goal, perpetually renewed in the text, is always the same: to make the reader complicit in attacks on frigidity and an embrace of the artfully carnal.
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Print: $13.50 This book is an accident of the imagination. The poems were originally written within the pages of a tiny book I had ordered online to serve as my diary for 2007. What I needed was a blank or near-blank journal whose structure fit 2007, and this offering was from 1917, a year that met my requirements.
Once I had the book in hand, however, I realized that the four short lines allowed for each date would not serve me well as a diary. The book was primarily a place to note the birthdays of important people in one’s life, with an extract, facing each day’s entry, from Henry Wadsworth Longfellow.
Nevertheless, I spent 2007, the 200th anniversary of the birth of Longfellow, creating a poem for each day of the year, a poem based on or inspired by the bits of Longfellow’s verse that faced me each day. My goal was to use his archaic poetic diction, and the British spelling of the book, to create modern poems with a scent of the past. —Geof Huth
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Print: $13.50 Paul Valéry wrote that “a poem is a really a kind of machine for producing the poetic state of mind by means of words.” Novaless is a device for producing reveries composed of precognitive, poetic thought constructed as a schematic screen of letters and symbols flowing continuously across several axes. Each generation of poets must crack the codes for detecting culturally jammed poetic wavelengths. Like Ray Di Palma’s ur-texts, The Sargasso Transcries and Marquee in the early 70s, Nicholas Manning’s Novaless permits us to listen directly to these currently camouflaged poetic bandwidths, where strata of definitions, distortions and dreams may be accessed and deciphered, tracing an essential foundational blueprint for future visual/verbal poetic wordscapes.
— Nick Piombino
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Print: $10.00 In Caleb Puckett’s Tales from the Hinterland, prose and poetry swim among the blocks of text. But Puckett’s collection resists easy categorization. Prescient undercurrents – vaguely foreboding, mercurial and sometimes almost capricious, but never quite – move heavily beneath the tightly crafted surface. It’s a description that fits Tales quite well: vaguely foreboding, tightly crafted, and often hovering above its own darkly musical undercurrents. An excellent collection.
—D. Britton Gildersleeve
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RedRed (book)
Print: $24.50 RED is blood, passion, life. Squeezed repeated circles & eggs imply renewal; some have the illusion of holes, as if we look back or into the future. The muse hides as time flies. Calligraphic marks, the living line, become unknown beings, are language. Bold letters turn into objects in the underwater & sky atmosphere; part words are strong entities near layered part circles. Asides abide. Half of the visual poem suddenly overlaps its other capsized half. The reader is enticed to turn the page and read on. Upside down reading excites & irritates the reading process; read in one direction, turn, now differently reread a beginning, middle and a starting again.
—Marilyn R. Rosenberg
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Print: $12.50 Probably only the fabled Prieure du Sion has guarded its secrets as closely as The Cloud Appreciation Society. Now some of its members, tired of the secrecy, have decided to open their texts and visions to the world. In this slim volume, edited by Márton Koppány and Nico Vassilakis, we see for the first time what has previously been hidden in the clouds.
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Print: $12.50 William Allegrezza’s Collective Instant brings together two chapbooks and a series of new works, including "Tracings from the Front," an extended piece exploring the language of conflict stripped and fragmented from its context. The poems in Collective Instant aim towards meanings, hope for meaning, while showing the inevitable absences between understanding and world, between the wild and ordered.
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Print: $10.00 “We waved at each other because we were driving the same model and color car. Mark Cunningham said, hey, could you write something on my Beetles. There are 80 of them. So I tried to write something on one but it kept opening its little pincers, its tiny wings. This led to a certain amount of self-examination, from which I emerged stronger, more self-assured. I was then able to more closely examine the varying structure, the very specific ideational atmospherics, & dare I say the aroma philosophique, of each of these beetles. What I discovered is that these beetles are in fact poems. Unusually good ones; & now I dream of an alternate life.” —Rod Smith
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Print: $27.50 "Collected in Bob Grumman's book April to the Power of the Quantity Pythagoras Times Now are almost two decades' worth of mathemaku, a personal genre of his that combines elements of visual poetry, mathematics, and haiku. Always the poet of the topical constraint, Grumman writes mathemaku that restrict themselves to a narrow range of subjects (spring, poetry, language, light) so he can divert all his effort into creating remarkable engines of poetic imagination where language, color, images, and mathematics conjoin to form stunning ineluctable gestalts. Drawing from his early pre-long-division mathemaku and his more recent forays into color and ever-increasing formal complexity, this book brings together a hearty sampling of the best of Grumman's mathemaku, including such masterworks as "Mathemaku for Ezra Pound" and "Seaside Mathemaku." A lifetime in the making, this book is not to be missed." —Geof Huth
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Print: $10.00 Jordan Stempleman's rewriting of The Voyages & Travels of Sir John Mandeville, Knight
A book taken and returned and taken again
from Sir John Mandeville; of darkened artifacts
and incipient wonders; and of the sadness left
from passing through actual and imaginative sights
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Print: $12.50 Download: $5.00 Mark Young has Faustian daydreams, but they keep on being interrupted by the postman.
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Print: $12.50 This collaboration between Elisa Gabbert and Kathleen Rooney is “Just more entertaining than poems are supposed to be. And I'm not using the word "entertaining" as some kind of sly putdown either. These poems have more human interaction going on in a couple of lines than many writers manage in a couple of books. The linguistic energy and, really, virtuosity, can be stunning. These are poems that know what people are like when they're around people.” —Mark Wallace
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Print: $27.50 "The extraordinary thing about Márton Koppány’s work is the way he takes gaps in thought and elaborates on them. How he expands the unsaid. How he crafts a visual grammar by framing it in verbal settings. The way he’s able to create more surface area than is originally given. This is a book of billboard puzzles that reveal in the subtlest way. These are posters that disturb meaning. Koppány’s destination seems to want to disrupt logic by executing it perfectly askew. Perfectly."
– Nico Vassilakis
"A completely infectious sense of humor which ridicules no one and degrades nothing makes sense of the inescapable circuits in which his work moves." – Karl Young
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Print: $10.00 "This is not a quest for epiphany: it is a rigorous modus vivendi. Tom Beckett’s is a poetry which, in accompanying us in our questionings — more than this, in feeling with us throughout our errancies — is as much phenomenological inquiry as it is intimate emotive play. It is at once the voice inside our heads and those voices outside, which we love, but cannot understand. From out this space of inquiry and intimacy, Beckett’s work emerges as that poetic praxis most necessary to us in our time. It is a consciousness seeking answers to itself." — Nicholas Manning
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Print: $29.95 Flush Contour is Spencer Selby's fourth collection of visual work, containing 72 vibrant color prints of abstract intermedia art.
“Indeed, in Selby’s case I sense a stubborn refusal to resolve the image that also inflects—or infects—some of his written work, which seems to elide the meaning it nevertheless intends, to construct a syntax that implies a certain result then eludes that result for something that is less authoritative, more evocative. The words that appear and disappear in these works, both type- and hand- written, likewise have a protean quality, they seem to be being made before our eyes from the chaos out of which language does actually come; word strings that are generative in the same way that those strings of recombinant amino acids in the warm pre-Cambrian seas were, we are told, generative: of life itself.” from the introduction by Martin Edmond, author of Luca Antara.
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Print: $12.50 Tom Hibbard has recently enjoyed getting much of his literary work published on and off-line. Poems, reviews, essays and translations can be found at Jacket, Big Bridge, Word For /Word, Moria, Milk, Fish Drum, Cricket, Eratio, Otoliths and elsewhere. An essay on “Linear/Nonlinear” was published in the 2007 issue of Big Bridge. Also in 2007 Bronze Skull published a prose poem titled Critique of North American Space. Hibbard lives in Wisconsin, U.S.A., where he devotes his spare time to growing pumpkins.
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Print: $13.45 “Something HUGE flexes joy here! This is the suicide by cop where banging cymbals rip the portal open! Poetry is the daily political at every mouthful of Siegell as dots connect dimension to dementia! Tell the funeral director I’d like my coffin lined with these pages, preventing a death of the sleeping! Careful, nutjobs, this is a brother of the Vibratory Order! THANK YOU, Paul Siegell, for making some real live fucking magic for us!” —CAConrad, author of Deviant Propulsion (Soft Skull Press, 2006)
"Paul Siegell's the most original poet – in sound and sight – to break into print so far this millennium. Siegell owns a megaphone in the contest to be voice of a generation." —Charles McNair, author of Land O' Goshen and Book Editor at Paste Magazine
“I’m always thrilled by Paul’s work, especially when I can understand it!” —Elaine Siegell, Paul’s mom
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Print: $19.95 Following on from the successful The First XI Interviews,
E-X-C-H-A-N-G-E-V-A-L-U-E-S: The Second XV Interviews contains interviews with Mark Young, Michael Heller, Bob Grumman, Shanna Compton, Sandy McIntosh, Jim McCrary, Gary Sullivan, A.L. Nielsen, Michael Farrell, CAConrad, Anny Ballardini, Denise Duhamel, Nick Carbó, Jack Kimball, Geoffrey Young & Jordan Stempleman, plus more than 100 pages of text & visual poetry, an essay, & even a play. The interviewers this time around are Tom Beckett, Thomas Fink, Richard Lopez & Geof Huth.
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Print: $12.50 Francis Raven's original poems—with the occasional, collaborative and smartly alarmed interventions of Jeff Bacon—take on a world made hopelessly abundant by too much. Too many commodities, too much philosophy, too much poetry, too much music, too many reviews, too many misunderstood friendships, erotic deceptions and, of course, corporate obstacles, including the language of insufferable meetings:
Our wires got crossed. We must be sitting in multiple meetings.
In playful, subtle and deceptively sharp language—from consciously flat to purely and quite beautifully poetic—Francis Raven has taken on these days of nausea to replant the flag, the stroke, and necessity of the poem:
Every painting has been landed on by critical flags, claimed:
Swimming, I find a mystery in a poem I thought was a problem, solved.
—Stephen Vincent, author of Walking Theory
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Print: $12.50 Want to know Marilyn Monroe’s measurements? Or the first movie Jonathan Williams saw? Alex Gildzen provides answers in this unique book about film. His long love affair with cinema is reflected in a collection which brings together some of Gildzen’s recent poems, photographs of him with Hollywood legends such as Sylvia Sidney and Samuel Fuller, prose dating back to 1985 and a year from his important autobiography in progress Alex in Movieland.
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Print: $24.50 "i remember very clearly working on these sheets, using boxes of trash and junk mail, writing in the names of songs i was listening to, riffing off of what was in front of and around me. five very busy years later these images have a very strong resonance for me. 'veil reveal re-veil', as andrew puts it, seems to express the dynamic quite clearly. at some point i think we would like for the process to halt at 'reveal' - but that isn't likely to occur often if ever, and certainly not with collaborative work like this. maybe we're looking at something more than 'shadowed truth', something like 'shadowed being' - perhaps hidden in plain view, but hidden all the same." — Jim Leftwich
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Print: $10.00 How can a prose poem be a comic opera? Take the following ingredients and stir: Chopin, Maria Callas, Baudelaire, Pluto, Orpheus, the Court of Ferdinand, Amherst wafer-eaters, Dante, Cleopatra, and Valium. Mix in a dollop of desperation, two dollops of perversity, and a small drop showmanship, and shake violently, as though in the midst of a fit. You have entered into a new realm; a foreign habitat; a fresh and unholy Opera Bufa. You may remain as long as you like. You may even sing along. The author, Adam Fieled, suggests exiting at the first sign of nausea, unless you find nausea pleasing. Oddly enough, some do.
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Print: $12.50 Jordan Stempleman writes of his new collection, Facings: "These are poems that begin from the almost observed, places not yet finished, excuses untested, and individuals who only appear after they find comfort in retracting all they've been said to say."
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Print: $25.00 This vibrant collection of new work by Sheila E. Murphy encompasses both lineated and prose poems. In addition, for the first time, selected prints of Murphy’s visual poetry, some included in private collections and in gallery exhibitions, are presented in book format. The range of work within these pages attests to the versatility and depth of this poet, and invites being read aloud to reveal the full range of perception and innovative use of language.
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Print: $44.95 "Free Fall was created in several steps beginning in July, 2001—when I collected a stack of advertising posters off buildings on the streets of Amsterdam. The serendipity of a period of rain had caused many of the ads to blur and run and to have already partially removed themselves from the walls. In a series of visits I tore down quite a number of them, and before coming back to the US, made a selection. Once back in New York I xeroxed a number of copies of the poster fragments in order to work out mock-ups of the collages, and purchased a 5"X7" artist's sketch book to paste them into. Over the years, since creating my first collages in the late 60's in Rapallo, Italy, I had begun several collage books, none of them completed, so I had some idea of what I wanted to do. I did further xeroxing in Provincetown, Mass. in August. Sitting outside a small cottage near the Wellfleet bay, I made the entire series of 154 collages in about a month." —Nick Piombino
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LeadsLeads (book)
Print: $12.50 "The germs of this book began in 1977, when I visited friends in London. As a child, I’d been told I had a speech impediment, but I vehemently refused voice lessons. Then, in a London pub, talking with a friend from the Lancashire/Yorkshire border, it was almost as if I fitted in at last. Without realizing it, I’d probably inherited aspects of my grandmother’s accent. And I’d never missed her as much as I did at that moment. That was when I began planning a trip to Leeds, where my grandmother was born and spent her childhood. I knew I had to write about it, and began a series of poems as the journey took shape. Once there, I copied from books and records I’d found in the Leeds library. I began writing down what people said. What I hadn’t expected was that, as I later tried to shape the materials, I would find other peoples’ words more powerful than my own. Poem? Journal? Memoir? Found text? Think of Olson’s Maximus or Paul Metcalf’s writings." Rochelle Ratner
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Print: $19.95 Tom Beckett's E-X-C-H-A-N-G-E-V-A-L-U-E-S website has become, since its inception in 2005, an important source of information on contemporary poetry and poetics. This book brings together the first eleven interviews from the on-going series, augmented by bionotes and a generous self-selection of poems from each interviewee. The interviewees (some of whom later reappear as interviewers) are Crag Hill, Thomas Fink, Nick Piombino, Sheila E. Murphy, Eileen Tabios, Jukka-Pekka Kervinen, K. Silem Mohammad, Geof Huth, Barbara Jane Reyes, Paolo Javier, Stephen Paul Miller and Jean Vengua.The other interviewers are Tom Beckett, Ron Silliman and Mark Young.
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Print: $20.00 The individual pieces in this book are tiny visual poems that examine the materiality of visible language and find beauty by looking at that language from unexpected vantage points. Nico Vassilakis has created each of these poems through a sequence of steps that included capturing video of text, editing and modifying that video (which included changing the color), capturing screenshots of the video, and cutting and putting these final pieces together in little diptychs consisting of one rectangle of prepared text atop another. To some degree, the results are the children of Nico’s important videopoetic work, Concrete: Movies, released in 2005. -Geof Huth
Nico Vassilakis' videos, including images from DIPTYCHS can be found here.
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tentstents (book)
Print: $20.00 Make no mistake about it: harry k. stammer is one of the boldest pioneers in contemporary experimental poetry—and one of the most successful. His new work tents is edgy but accessible; challenging but rewarding. stammer mixes a sort of poetic cubism with wordplay, startling typography, and a wide array of other adventurous techniques with creative intensity rarely witnessed. In this singular text, the reader is confronted by a dizzying maelstrom of meaning and image. Kaleidoscopic and impressionistic, this interpretation of our postindustrial, postmodern society is a must for any serious reader of today's poetry. –Philip Primeau, PERSISTENCIA
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Print: $12.50 (Vernon Frazer’s) "Bodied Tone is terrific—the rhythmic vitality is just that, full of life, but it is seductive too; one gets caught up in the percussive musicality of the phrasing . It’s a driving musicality—more bebop than balladry, for sure.”
—Lyn Hejinian
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Print: $12.50 Maximizing the tension of line breaks, making the most of each word’s nuances, Jordan Stempleman creates a stunning landscape of precision and delicacy. There are gorgeous moments here, and they always “begin with the actual condition”—this book constitutes a commitment to the beauty of the world, and a new instance of it.
—Cole Swensen
In this impressive, replete collection, Jordan Stempleman takes us repeatedly to this place of contemplation, where only a few rare words are necessary. We are invited to a course of thinking that locates intensity without demanding it—for therein lies the fabled difference between an exploratory and settled poetics, to open out and out again upon present history. This is, quite simply, a wonderful book.
—Paul Hoover
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Print: $10.00 EILEEN TABIOS' publications include 14 poetry collections, an art essay collection, a poetry essay/interview anthology, and a short story book. DREDGING FOR ATLANTIS, her 11th print poetry collection, extends a body of work unique for melding ekphrasis with a transcolonial perspective. Here, she introduces her translation of the painterly technique of scumbling to create poems from other poets' words. From other writers' texts, she also extracts sequences of the hay(na)ku, a poetic form she inaugurated on June 12, 2003 to mark the 105th Anniversary of Philippines' Independence Day from Spain.
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Print: $12.50 A sequence of poems, some visual, by Sandra Simonds.
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Print: $7.50 Poetry by Jean Vengua
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Print: $12.50 Contemporary Poetry & Drawings by Ray Craig
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Print: $10.00 Download: $3.00 Otoliths, issue one, part one, contains work by Michelle Greenblatt, kari edwards, Nico Vassilakis, Michael Farrell, Alex Gildzen, Michael P. Steven, Eileen Tabios, Tom Beckett, Nicholas Downing, Francis Raven, Andrew Lundwall, Bob Marcacci, Jukka-Pekka Kervinen, John M. Bennett, William Allegrezza, Martin Edmond, Ernesto Priego, Laurie Duggan, Jordan Stempleman, Irving Weiss, Jeff Harrison, Lars Palm, PR Primeau, Richard Lopez, Jack Kimball, CAConrad, Gregory Vincent St Thomasino, Thomas Fink, Jean Vengua & Dion Farquhar.
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Print: $20.00 Download: $5.00 Otoliths, issue one, part two, contains work by Sheila E. Murphy, Daniel f Bradley, Reed Altemus, Ray Craig, harry k stammer, Michael Rothenberg, Marko J. Niemi, David-Baptiste Chirot, Jukka-Pekka Kervinen & John M. Bennett, Donna Kuhn, Geof Huth & Dan Waber (with Meghan Scott)
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Print: $12.50 Download: $3.00 Otoliths issue two, part one, contains work by Rochelle Ratner, Derek Motion, Sandy McIntosh, Michael Rothenberg, Bruce Covey, Caleb Puckett, Cath Vidler, Aki Salmela, Martin Edmond, Louise Landes Levi, Ira Cohen, Tom Beckett, Miia Toivio, Allen Bramhall, John M. Bennett, Steve Tills, J.D.Nelson, Juhana Vähänen, Christian Jensen, Jill Jones, Donald Illich, Pat Nolan, Janne Nummela, Crag Hill, David Meltzer, Michelle Greenblatt, Tom Hibbard, Pam Brown, Leevi Lehto, harry k stammer, Kevin Opstedal, Michael Farrell, Olli Sinivaara, Michael McClure and Phil Primeau.
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Print: $25.00 Download: $5.00 Otoliths issue two, part two contains work by Karl Young, Vernon Frazer, Sandra Simonds, Nico Vassilakis & John M. Bennett, Carol Jenkins, Ira Joel Haber, Thomas Fink, Geof Huth, David-Baptiste Chirot, Michael Rothenberg, Marko J. Niemi & Eileen Tabios.
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Print: $12.50 Download: $3.00 Otoliths, issue three, part one, contains work by Kirsten Kaschock, Corey Mesler, Pat Nolan, Jesse Crockett, Andrew Topel, Jill Jones, rob mclennan, Rochelle Ratner, Tom Beckett & Thomas Fink, Ian Finch, Jenna Cardinale, Lars Palm, Jeff Harrison, Geof Huth, Adam Fieled, Aki Salmela, harry k stammer, Paul Siegell, T.Walden, Rebeka Lembo, Derek Motion, Raymond Farr, Ayşegül Tözeren, Tom Hibbard, Caleb Puckett, Jenny Allan, Jordan Stempleman, Scott Hartwich, Jonathan Hayes, Glenn Bach, John M. Bennett & Reed Altemus.
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Print: $20.00 Download: $5.00 Otoliths, issue three, part two, contains work by Ray Craig, John M. Bennett, Eileen Tabios, Kevin Opstedal, Reed Altemus, Nico Vassilakis, Ayşegül Tözeren, Sheila E. Murphy, Martin Edmond & Serkan Işın.
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Print: $12.50 Download: $3.00 Part One of Otoliths issue four contains text & visual poetry & prose by Phil Primeau, Jean Vengua, Daniel f. Bradley, Amanda Laughtland, Karin Kroetlinger, Nicholas Manning, nick-e melville, Katrinka Moore, Jnana Hodson, Elizabeth Kate Switaj, The Pines, Keith Kumasen Abbott, MTC Cronin, Eileen Tabios, Kristin Hannaford, Bob Marcacci, Jeff Harrison, Vernon Frazer, John Mercuri Dooley, Ayşegül Tözeren, David Prater, Ed Higgins, Dion Farquhar, Elisa Gabbert & Kathleen Rooney, Carl Baker, Paul Siegell, J.D.Nelson, Jonathan Hayes, Martin Edmond, Suzan Sari, Samuel Wharton, Kevin Doran, Vernon Frazer & Michael Rothenberg, Caleb Puckett & Tom Beckett.
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Print: $25.00 Download: $5.00 Part Two of Otoliths issue four contains full-colour text & visuals from Keith Kumasen Abbott, Ray Craig, Andrew Topel, Peter Ciccariello, Spencer Selby, nick-e melville, Ed Schenk, Richard Kostelanetz, David-Baptiste Chirot, Alexander Jorgensen, Carol Jenkins, Nico Vassilakis, Suzan Sari & Jukka-Pekka Kervinen, C. Mehrl Bennett, Ayşegül Tözeren, Mikhail Magazinnik, Jukka-Pekka Kervinen & Márton Koppány.
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Print: $12.50 Otoliths issue five, part one, contains work by James Maughn, Stephanie Green, Eileen Tabios, Paolo Manalo, Ernesto Priego, Raymond Farr, Jeff Harrison, Robert Lee Brewer, Mark Cunningham, Jordan Stempleman, Jill Jones, Steve Rodgers, Anny Ballardini, Corey Mesler, Louise Landes Levi, Dax Bayard-Murray, Andrew Taylor, Audacia Dangereyes, Paul Siegell, Steve Timm, Richard Lopez, Craig Santos Perez, MTC Cronin, Thomas Fink, Derek Motion, Maria Zajkowski, Marcia Arrieta, Caleb Puckett, Tom Hibbard, Alana Madison, Martin Edmond, Maurice Oliver and Tom Beckett.
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Print: $25.00 Otoliths issue five, part two, contains work by Márton Koppány, Spencer Selby, James Sanders, Richard Kostelanetz, Ed Schenk, Andrew Topel, Michael Rothenberg, Alexander Jorgensen, Stan Crocker, Carol Novack, mIEKAL aND, Matina L. Stamatakis, Katrinka Moore, Nick Piombino and David-Baptiste Chirot.
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Print: $12.50 Part one of Otoliths issue six contains prose, poetry & visual poetry from Tom Beckett, Karri Kokko, dan raphael, Kristine Ong Muslim, David-Baptiste Chirot, Paul Siegell, Javant Biarujia, Arpine Konyalian Grenier, Matthew Medina, Adam Fieled, Bill Drennan, Jane Joritz-Nakagawa, Joel Chace, Brian Foley, Raymond Farr, Philip Byron Oakes, Rochelle Ratner, Julian Jason Haladyn, Alex Carnevale, Jeff Harrison, Juliet Cook, Alexander Jorgensen, Martin Edmond, J. D. Nelson, John M. Bennett, Mark DeCarteret, Michael Steven, Jordan Stempleman, Iain Britton, Andrew Topel & Ernesto Priego. The cover image is by Geof Huth.
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Print: $20.00 Part two of Otoliths issue six contains visual & text poetry from Reed Altemus, Joe Balaz, David-Baptiste Chirot, Spencer Selby, John M. Bennett & Jukka-Pekka Kervinen, Márton Koppány, Luke Daly, ek rzepka, Ray Craig, Mary Ellen Derwis, John M. Bennett & Sheila E. Murphy. The cover image is by Geof Huth.
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Print: $12.50 Otoliths issue seven, part one contains work from Paul Siegell, Sheila E. Murphy, Julian Jason Haladyn, Bill Drennan, Jeff Harrison, Jim Leftwich, Matt Hetherington, Mark Prejsnar, Michael Steven, Geof Huth, Anny Ballardini, dan raphael, derek beaulieu, Raymond Farr, Jordan Stempleman, Vernon Frazer, Mark Cunningham, Randall Brock, Tom Hibbard, Andrew Topel, Andrew Taylor, Anne Heide, Catherine Daly, Karri Kokko, Martin Edmond, John M. Bennett, Lars Palm & David-Baptiste Chirot.
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Print: $30.00 Part two of issue seven of Otoliths contains work from Andrew Topel & John M. Bennett, Robert Gauldie, Marko Niemi, Nigel Long, Matina L. Stamatakis, Nico Vassilakis, John M. Bennett, Jeff Crouch, Eileen R. Tabios, Márton Koppány, Katrinka Moore, John M. Bennett & Friends, Alexander Jorgensen, Daniel f Bradley, harry k stammer & David-Baptiste Chirot.
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Print: $12.50 Otoliths issue eight, part one contains work from Geof Huth, Felino Soriano, Richard Kostelanetz, Louie Crew, Vernon Frazer, Audacia Dangereyes, David-Baptiste Chirot, Jeff Harrison, James Sanders, Thomas Fink & Maya Fink, Paul Siegell, Cecelia Chapman, Caleb Puckett, Sandy McIntosh, Elisa Gabbert & Kathleen Rooney, Gustave Morin, Gregory Vincent St. Thomasino, Bill Drennan, Jill Chan, Paul Hardacre, Bobbi Lurie, J. D. Nelson, Joshua A Ware, Kristine Ong Muslim, John M. Bennett, Martin Edmond, Philip Byron Oakes, Thomas Fink, harry k stammer, Nicholas Manning & Michele Leggott.
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Print: $25.00 Otoliths issue eight, part two contains work from Reed Altemus, Pradip Datta, Jukka-Pekka Kervinen & Spencer Selby, Laurie Price, Guy Beining, Andrew Topel, Sheila E. Murphy & John M. Bennett, Luigino Solamito & John M. Bennett, John M. Bennett, Eric Burke, Alexander Jorgensen, Spencer Selby, Patrick Gulke, Christopher Major, Cecelia Chapman, Andrew Riley Clark, Márton Koppány, & John Lowther.
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Print: $12.50 Otoliths issue nine, part one, contains work by Rochelle Ratner, Mark Cunningham, Suzanne Grazyna, Daniel Morris, Andrew Lundwall, Joel Chace, Bill Drennan, Christopher Major, Derek Owens, Steve Timm, Scott MacLeod, Simon Perchik, Philip Byron Oakes, Elizabeth Kate Switaj, Jeff Harrison, Geof Huth, Stu Hatton, Duane Locke, Eileen R. Tabios, Douglas Barbour & Sheila E. Murphy, Michael Farrell, Bobbi Lurie, William Doreski, Esa Mäkijärvi, Paul Siegell, Glenn R. Frantz, Adam Strauss, John M. Bennett, Thomas Lowe Taylor, Marcia Arrieta, Julian Jason Haladyn, Adam Fieled, William Allegrezza, Ernesto Priego, Raymond Farr, Mary Kasimor, Louise Landes Levi, Thomas Fink & Kirsten Kaschock.
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Print: $27.50 Otoliths issue nine, part two, contains work by David-Baptiste Chirot, Angela Genusa, Ed Schenk, Reed Altemus, Robert Gauldie, Joe Balaz, Scott MacLeod & John M. Bennett, Diana Magallón & Jeff Crouch, Irving Weiss, John M. Bennett, Randy Thurman, John M. Bennett & Luigino Solamito, John M. Bennett & Sheila E. Murphy, John M. Bennett & Sheila E. Murphy & Luigino Solamito, Daniel f Bradley, Andrew Topel & Jim Leftwich & John M. Bennett, Mary Ellen Derwis, harry k stammer, Martin Edmond, Jeff Crouch & Matina L. Stamatakis, & Toni Simon.
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Print: $12.50 Otoliths issue ten, part one contains work by Barry Schwabsky, Jeff Harrison, Douglas Barbour & Sheila E. Murphy, Charles Freeland, Geof Huth, Bill Drennan, Luis Cuauhtemoc Berriozabal, nick-e melville, Ryan B. Richey, Caleb Puckett, Tom Hibbard, Alan Ramón Clinton, Sandy McIntosh, joanne burns, David-Baptiste Chirot, Robert Lee Brewer, Vincent Ponka, Obododimma Oba, Raymond Farr, Kristen Orser, Felino Soriano, Anne Gorrick, Ashley Capes, John M. Bennett, Clint Frakes, Cecelia Chapman, MTC Cronin & Peter Boyle, Philip Byron Oakes, Alexander Jorgensen, Jennifer Karmin, Martin Edmond, Mark DuCharme, Julian Jason Haladyn, Rebecca Eddy, Bobbi Lurie, Matthew Klane, Laura Goldstein, Kate Schapira, Paul Siegell, Michelle Detorie, Tom Beckett, Nico Vassilakis, Thomas Fink & Maya Diablo Mason, & Thomas Fink.
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Print: $30.00 Otoliths issue ten, part two contains work by Christopher Major, Ray Craig, Matthew Stolte, Obododimma Oha, Manas Bhattacharya, Jukka-Pekka Kervinen, Mary Ellen Derwis, Bob Grumman, Andrew Topel, Angela Genusa, Robert Gauldie, Jukka-Pekka Kervinen & John M. Bennett, Baron & John M. Bennett, Sheila E. Murphy & John M. Bennett, John M. Bennett, Randy Thurman, Reed Altemus, Joe Balaz, Márton Koppány & David-Baptiste Chirot.
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Print: $12.50 Otoliths issue eleven, part one, contains work by Anny Ballardini, Halvard Johnson, dan raphael, Doug White, harry k stammer, Eileen R. Tabios, Cara Benson, Angela Genusa, Craig Rebele, Gregory Braquet, David-Baptiste Chirot, Vernon Frazer, Elizabeth Kate Switaj, Stephen C. Middleton, John Moore Williams, Marcia Arrieta, Raymond Farr, Felino Sorriano, Charles Mahaffee, Jeff Harrison, Steve Wing, Robert Gauldie, Philip Byron Oakes, Iain Britton, Thomas Fink, Thomas Fink & Maya Diablo Mason, Bill Drennan, J. D. Nelson, Julian Jason Haladyn, Charles Freeland, John M. Bennett, Jaie Miller, Naomi Buck Palagi, Tom Beckett, Paul Siegell, Geof Huth, Martin Edmond, Andrew Topel, Michael S. Begnal, & Michele Leggott.
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Print: $27.50 Otoliths issue eleven, part two, contains work by Marilyn R. Rosenberg, Alexander Jorgensen, Samit Roy, Bobbi Lurie, Dorothee Lang, John Martone, Michael Aanji Crowley, Scott Helmes & John M. Bennett, Zev Jonas, Peter Ciccariello, Aaron Crippen, Reed Altemus, Sheila E. Murphy, Sheila E. Murphy & John M. Bennett, Sean Burn, Mary Ellen Derwis, Joe Balaz & Mary Ellen Derwis, John M. Bennett & collaborators, John M. Bennett, Stephen Nelson, Spencer Selby, & Manas Bhattacharya.
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Print: $12.50 Otoliths issue twelve, part one, contains work by Denise Duhamel, Anny Ballardini, Brandon Shimoda, J. S. Murnet, Jeff Harrison, John Lowther, Felino Soriano, Joseph P. Wood, Bill Drennan, Gregory Bem, sarah k bell, Tim Gaze, Charles Freeland, Jeremy P. Bushnell, Jared Schickling & John Bloomberg-Rissman, Tom Beckett interviews John Bloomberg-Rissman, Forrest Roth, C. E. Chaffin, Jill Jones, Geri Gale, Mary Kasimor, Michael Rothenberg, Marcia Arrieta, Raymond Farr, Andrew Taylor, Kane X. Faucher, Donald Dunbar, Cath Vidler, D. C. Porder, Martin Edmond, Christopher Major, J. A. Tyler, Stu Hatton, Philip Byron Oakes, Alana Madison, John M. Bennett, Kristina Marie Darling, Paul Siegell, Arpine Konyalian Grenier, George Moore, Michael Filimowicz, Maria Garcia Teutsch, & Adam Robinson. The cover image is by Alexander Jorgensen.
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Print: $30.00 Otoliths issue twelve, part two, contains work by David-Baptiste Chirot, Daniel f Bradley, sean burn, Nicolette Westfall & Jeff Crouch, Mary Ellen Derwis, Joe Balaz, Mary Ellen Derwis & Joe Balaz, Angela Genusa, James Sanders, Bobbi Lurie, Geof Huth, Dan Ruhrmanty, Katrinka Moore, Tom Taylor, Eric Burke, John M. Bennett, John M. Bennett & various collaborators, Sheila E. Murphy & John M. Bennett, Jukka-Pekka Kervinen & John M. Bennett, Ed Baker, John C. Goodman, & Spencer Selby. The cover image is by Alexander Jorgensen.
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