OneMoreWord Nonfiction & Fiction
 Holly Lisle is the author of more than 30 novels published (or in the process of being published) by NAL, Time Warner, Tor, Baen, HarperCollins, Scholastic, and more, as well as the owner of the OneMoreWord imprint and author of these writing reference books and reprinted backlist novels.
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Print: $19.95 You can create a novel, short story, or screenplay plot from beginning to end, even if you don't know what you want to write about yet. - Want to write fiction but don't know where to start?
- Do you have a stack of 30-page novels that have stalled?
- Are you stuck in the vast morass of your novel's middle?
- Don't know how to figure out your ending?
- Or have you finished a first draft you don't know how to fix?
In Holly Lisle's Create A Plot Clinic, you'll learn: - How to choose and use your structure
- How to create story ideas from twenty fun, easy tools
- How to organize your plot before you write
- How to adapt it while you write
- How to fix problem plotting as you write the book and even when you're revising it
- How to deal with late, great ideas and your stubborn Muse
- And much more
Complete course includes descriptions, demonstrations, exercises, illustrations.
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Print: $19.95 Are you selling your fiction yet?
Editors reject most books because the characters fall flat. Full-time professional novelist Holly Lisle offers her method for creating and writing compelling fictional characters that sell to editors ... and readers.
Includes:
- What makes a character interesting (and what doesn't)
- Techniques for giving your characters compelling needs that resonate with readers
- How to use the seven critical areas of character development to prevent "cardboard characters" and address areas of your characters' lives you've never considered before
- Techniques for developing characters' individual voices
- Three ways of presenting your character, with proven techniques in each
- Fifteen deadly sins writers commit with their characters, and how you can avoid them -- or better yet, turn them to your advantage and use them to surprise, excite, and delight your readers
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Print: $19.95 Create religions, philosophies, governments and lifestyles different than your own---that work together and feel real. Avoid cliches. Begin using your new culture in your writing....
All in about five hours.
WORLDBUILDING COURSE, BOOK II
My method for adding cultural depth to works set in the present, and for building cultures from the ground up in worlds of my own making. Includes:
- How to build what you need, when you need it
- How to avoid overbuilding
- Tips for using what you've built in your writing
- Examples, exercises, and worksheets
- My method for organizing and saving work--you'll be able to find what you need quickly, no matter how much you build
- Basic and advanced culture building
Non-technical and easy to use, my method will give you a usable beginning culture in about five hours, which you can expand as you work on the book, building only what you need and when you need it.
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Print: $19.95 Learn to build real, working languages. Start using what you build in hours rather than months.
- Invent good names for your worlds, places, and characters--in 15 minutes.
- Create a complete language, or just the parts you need for your story.
- Add depth to your worldbuilding.
- Discover concepts your characters think and use that don't translate into English.
- Start changing the way you look at the way we all communicate.
- All in about 5 hours. (Though of course you can spend longer.)
For novelists, scriptwriters, gamemasters, worldbuilders, conlangers, language fans.
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Print: $11.95 Maybe you can go home again...
...but what if you shouldn't?
Cadence Drake, who makes a living finding lost things, regains consciousness in a spaceport locker, only to find herself bound to a corpse. Cady doesn't know the woman, nor did she know the three men who beat her and left her for dead...
...But she intends to find them.
Right after she locates the stolen spaceship she and her partner Badger are being paid a fortune to track down. But backworld zealots, smuggled drugs, missing persons, and a long line of killers keep getting in the way of their search.
A search where every new horror points home.
Reissue: First OneMoreWord Edition
First published by Baen Books, NY, Feb. 1997
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Holly Lisle's Lulu Weblog
2007 Jun 26 My name's Holly Lisle, and I'm a full-time professional novelist, which makes me a definite oddity in the self-publishing world. My reasons for self-publishing some of my work while continuing to sell the rest professionally are pretty simple, though. Mostly, they boil down to my mission, and my numbers. In the world of pro publishing, books live and die by their numbers (number printed, number shipped, number sold, number stripped, number returned, sell-through, rate of sale, and so on) and the industry expects that a novelist's novels will sell better than his or her nonfiction, or at least differently than the nonfiction. But your last book, no matter what that might be, is the book that will end up being the set of numbers all publishers will look at when negotiating for your next book. Those are also the numbers that will either help you or hurt you in the big chains' computerized ordering systems. So a big rule in writing professionally is "Don't do anything stupid to screw up your numbers." Like, for example, releasing a nonfiction book that will count as your last book sold (giving publishers their most recent set of numbers) but that won't have the same sort of sell-through and rate of sale as the fiction book they're wanting to buy. But I have what can--after all these years--only be called a mission. I had encouragement and a bit of instruction from a couple of pros when I was getting started, and I believe in paying forward--in helping other new writers find their way toward making a living doing this. And I love writing nonfiction, and I love teaching. But writing nonfiction would, I'm told, kill my numbers. I'd already written over a hundred thousand words of writing advice on my website, but questions kept coming in that required more depth than I could offer in a single article or email. So I wrote individual books on spec covering the areas where I got the most requests for help, and published them myself, and so far, I'm very pleased with the results. I can teach, I can pay forward, and now I can do it without these books killing the numbers for my next contract negotiations. Being able to help mattered to me, and thanks to Lulu and my e-book site, I've found a way. These are the current books, though I have several more planned:  As I have time over the next little while, I'll discuss how I came to write each book, and what you'll find in each book that will help you meet your writing needs and solve your writing problems. If you have questions about the books, or requests for answers about topics I haven't covered here, I'll be happy to answer. Holly Lisle
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